Track 2, "Glacial Kingdom: Frozen Utopia," launches with a heavy dose of double bass drumming paired with some great, cymbal-heavy ride patterns. The vocals are immediately striking – firm, haunting, and utterly cold, perfectly embodying the intended atmosphere. I particularly enjoyed the melodic guitar lines weaving through this section. The part that begins around 1:20 is seriously impressive. The dissonant single-string notes interspersed with the chords and the steady 4/4 drums add a compelling layer of depth. Honestly, this might be my favorite track on the album. Being the longest track, I think it allows each band member's strengths to truly shine. It takes you through so many compelling shifts. Take 2:40, for example. Just when you think you've locked into the song's tempo, a well-executed drum fill throws you into a perfectly timed signature change, leading you down a completely different path while maintaining the intensity and overall vibe of the preceding riff. This track is absolutely spot on, and I think its length allows the band to truly evolve the song's ideas. It highlights the limitations of conveying true depth within shorter durations.

Track 3, "Reign of the Obsidian Eclipse," definitely feels like the most dissonant track on the album, and its placement as the third track works perfectly. The main riff sounds crushingly heavy, evoking a real sense of carnage. I particularly liked the breakdown-esque section just before the halfway point. It sounds incredibly downtuned and has a real meaty, almost old-school death-doom feel to it. This track is undoubtedly the album's "headbanging anthem," and the addition of those extra guitar layers over the weighty riffs adds an extra layer of devilishness. The vocals here are also fantastic. In hindsight, I appreciate the relative sparseness of the vocals; it lends a "less is more" aura, and I feel this track didn't need a constant vocal barrage. Both Vocalists did a killer job with their impactful deliveries on the album. A quick side note regarding the vocal duties on 'Endless Snowfall': my research indicates that both Vokar and Nortaath contribute vocals throughout the album, though the specific breakdown per track isn't publicly available."

Track 4, “of Endless Snowfall," serves as the perfect closing track. I found this to be the grooviest track on the album, seamlessly transitioning from an almost upbeat groove to downtempo, doom-laden guitar riffs accompanied by slow, deliberate drum hits that gradually pick up tempo before and after well-placed drum fills. The vocalist's high-pitched shrieks are absolutely awesome and add a chilling dimension. All in all, this track was really strong and provided a satisfying sense of closure to the album's journey. The way it incorporates different tempos and moods really showcases the band's dynamic range.