Rather than covering every track in detail, I'll be focusing on some standout moments that resonated with me and why I found this album so compelling.

Abduction is a black metal band originating from Derby, England, formed in 2016. Initially conceived as a solo project by A|V (also known as Phil Illsley), the band has evolved into a full live ensemble over the years. Their discography includes several full-length albums, with "Existentialismus" being their latest release. (metal-archives.com)

From the outset, the album captivated me with its immersive and distinctive sound. The opening track, "A Legacy of Sores," serves as an amazing introduction, featuring dissonant guitars that oscillate between uplifting tones and somber depths. Notably, around the 4:20 mark, the intensity subsides, giving way to ambient power chords complemented by A|V's adept vocal modulation. This section is further enriched by precise drum patterns, creating a gripping buildup that seamlessly transitions into a headbang-worthy tempo, layered with intricate instrumentation.

Track 3, "Truth is as Sharp a Sword as Vengeance," stands out for its horror-styled introduction. The opening lines, "How would you describe yourself? Nothing, there is no self." "How would you like to be remembered? Does it matter?" "What were your dreams as a child? Nightmares?", set an eerie and gloomy tone. This is where a prominent bassline comes in (a perfect choice), met with a groovy 4/4 beat alongside the singer’s raspy vocals. Not long after, the song delivers a "wall of sound" effect that is both overwhelming and perfectly mixed, creating an intense listening experience. The chord progressions at the beginning are especially striking, adding a sense of depth and momentum. The mid-section features one of the best headbanging moments on the album, with punctual playing and impeccably crisp snare drum hits during the breakdown-like passage.

My personal favorite, "Razors of Occam," exemplifies the band's prowess in dynamic tempo shifts. The ethereal intro, characterized by ambient melodies and hymn-like vocals reminiscent of a church choir, is underpinned by a subtle 4/4 drum beat, establishing a solid foundation. Just as the serene pace lulls the listener, an unexpected surge into blast beats and tremolo-picked guitar patterns ensues. This transition showcases one of the album's most memorable motifs, one that lingers in the mind and beckons to be learned on guitar.